Los Estrechos II and Centelles- Abric I starting at Albalate del Arzobispo
Plan this ride
Recorded distance
488 km
Riding-time estimate
10 h 25
Journey
Recorded itinerary
Distance and timing basis
Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
From Albalate del Arzobispo it runs 488 km to Albalate del Arzobispo; allow about 10 h 25 of riding. It goes by way of Hocino de Chornas, friso Abierto del Pudial, Coveta de la Cornisa and Centelles- Abric I. The stored terrain estimate reaches about 1,250 m; a measured road-elevation profile is not available. The line favours views over speed.
Waypoint introductions and full write-ups
1. Los Estrechos II
The Río Martín is a modest stream that has done something dramatic. Over a very long time, it has cut a deep, narrow gorge through the pale limestone of the Bajo Aragón, with walls that crowd in on either side, and the stretch the locals call Los Estrechos, the Narrows, is where the cleft is tightest. The shelter at Los Estrechos II lies about five kilometres from Albalate del Arzobispo, and is one of the sites along the river protected by a cultural park. It carries painting in the Levantine tradition, protected by UNESCO as part of the rock art of the Mediterranean basin in Spain, and the ride links it to the Abrigo de la Higuera, the Fig-Tree Shelter.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Los Estrechos II is where the day begins. Next is Hocino de Chornas.
2. Hocino de Chornas
The Martín river cuts a deep, winding gorge through the limestone hills of Teruel, and its walls are full of shelters where prehistoric people painted animals, hunters and abstract symbols. The Hocino de Chornas, near Estercuel and Montalbán, is one of these sites, a narrow gorge with rock art on its walls, part of the Río Martín Cultural Park, which protects dozens of painted shelters along the river between Montalbán, Obón, Alacón and Ariño. The sites are part of the Mediterranean rock art group listed by UNESCO, and the cultural park has interpretation centres and guided visits that make the art more accessible than at many other sites.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Hocino de Chornas comes up about 54 km into the recorded legs. Next is friso Abierto del Pudial.
3. friso Abierto del Pudial
Deep in the Maestrazgo of Teruel, where the Guadalope river carves its way between limestone walls, the rock shelters around Castellote and Molinos hold painted figures left by prehistoric communities. The Friso Abierto del Pudial is one of them, an open frieze on a sheltered rock face, part of the extraordinary chain of Levantine art sites listed by UNESCO. The figures are faint, and visiting typically means a walk on rough ground, but the setting alone is worth the effort.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 115 km into the recorded legs you reach friso Abierto del Pudial. Next is Coveta de la Cornisa.
4. Coveta de la Cornisa
Morella is one of the most dramatic towns in Spain: a walled medieval city wrapped around a conical hill, with a castle on the summit and its walls running unbroken around the base. It stands in the mountains of the Ports in the north of Castellón province, at around a thousand metres, and its silhouette, seen from the roads that climb toward it, is unforgettable. The Coveta de la Cornisa, the little cave of the ledge, lies in the hills about four kilometres away.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Coveta de la Cornisa, about halfway. Next is Centelles- Abric I.
5. Centelles- Abric I
Albocàsser and Catí are two quiet stone towns in the inland hills of Castellón, and between them, in a rocky ravine, the Centelles shelters hold some of the prehistoric paintings that make this corner of Spain a capital of Levantine rock art. The style is distinctive: small human figures, often archers, painted in red with long legs and dynamic poses, hunting deer, ibex and boar, sometimes in groups, sometimes in battle. The sites are part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula. Nearby, the Valltorta gorge, near Tírig, holds some of the most famous examples, and its museum explains the art and the people who made it.