Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
A 485 km round trip from Albalate del Arzobispo - roughly 10 h 22 in the saddle. The stops in between: Hocino de Chornas, friso Abierto del Pudial, Coveta de la Cornisa and Centelles- Abric I. The stored terrain estimate reaches about 1,250 m; a measured road-elevation profile is not available. The line favours views over speed.
Waypoint introductions and full write-ups
1. Los Chaparros
Albalate del Arzobispo takes its name from its former masters, the archbishops of Zaragoza, and from an Arabic word for a paved road, which suggests the place has been a crossing point for a very long time. It sits in the Bajo Aragón on the Río Martín, a river that has cut a deep, dry gorge through the limestone on its way to the Ebro, and the Los Chaparros shelter, the Holm-Oak Shelter, lies about five and a half kilometres from the town. It belongs to a group of painted shelters, in the Levantine style, protected by UNESCO as part of the rock art of the Mediterranean basin in Spain and managed locally as a cultural park along the river.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Los Chaparros is where the day begins. Next is Hocino de Chornas.
2. Hocino de Chornas
The Martín river cuts a deep, winding gorge through the limestone hills of Teruel, and its walls are full of shelters where prehistoric people painted animals, hunters and abstract symbols. The Hocino de Chornas, near Estercuel and Montalbán, is one of these sites, a narrow gorge with rock art on its walls, part of the Río Martín Cultural Park, which protects dozens of painted shelters along the river between Montalbán, Obón, Alacón and Ariño. The sites are part of the Mediterranean rock art group listed by UNESCO, and the cultural park has interpretation centres and guided visits that make the art more accessible than at many other sites.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Hocino de Chornas comes up about 52 km into the recorded legs. Next is friso Abierto del Pudial.
3. friso Abierto del Pudial
Deep in the Maestrazgo of Teruel, where the Guadalope river carves its way between limestone walls, the rock shelters around Castellote and Molinos hold painted figures left by prehistoric communities. The Friso Abierto del Pudial is one of them, an open frieze on a sheltered rock face, part of the extraordinary chain of Levantine art sites listed by UNESCO. The figures are faint, and visiting typically means a walk on rough ground, but the setting alone is worth the effort.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 113 km into the recorded legs you reach friso Abierto del Pudial. Next is Coveta de la Cornisa.
4. Coveta de la Cornisa
Morella is one of the most dramatic towns in Spain: a walled medieval city wrapped around a conical hill, with a castle on the summit and its walls running unbroken around the base. It stands in the mountains of the Ports in the north of Castellón province, at around a thousand metres, and its silhouette, seen from the roads that climb toward it, is unforgettable. The Coveta de la Cornisa, the little cave of the ledge, lies in the hills about four kilometres away.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Coveta de la Cornisa, about halfway. Next is Centelles- Abric I.
5. Centelles- Abric I
Albocàsser and Catí are two quiet stone towns in the inland hills of Castellón, and between them, in a rocky ravine, the Centelles shelters hold some of the prehistoric paintings that make this corner of Spain a capital of Levantine rock art. The style is distinctive: small human figures, often archers, painted in red with long legs and dynamic poses, hunting deer, ibex and boar, sometimes in groups, sometimes in battle. The sites are part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula. Nearby, the Valltorta gorge, near Tírig, holds some of the most famous examples, and its museum explains the art and the people who made it.