Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
From María it runs 433 km to María; allow about 11 h 33 of riding. It goes by way of Letreros de los mártires, Zona 1, Las Covachicas and Cueva del Niño. The stored terrain estimate reaches about 1,400 m; a measured road-elevation profile is not available. The line favours views over speed.
Waypoint introductions and full write-ups
1. Lázar
The Vélez comarca in northern Almería sits high and dry, a land of almond trees, steppe and pale limestone ranges that feels more like the Castilian interior than the beach resorts of the south coast. Lázar lies in this country, near the villages of María and Vélez-Blanco, within the Sierra María-Los Vélez natural park. The area is known for some of the most important prehistoric art in Andalusia, and the best-known symbol is the Indalo, a little stick figure holding an arc above its head, taken from a painting in the cave of Los Letreros near Vélez-Blanco and adopted as the emblem of the whole province.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Lázar is where the day begins. Next is Letreros de los mártires.
2. Letreros de los mártires
Out in the high north-east of Granada province, Huéscar feels a long way from the Alhambra and the beaches of the Costa Tropical. This is the altiplano, a broad upland of wheat fields, almond trees and pale badlands at around a thousand metres, ringed by mountains, with the great limestone hump of La Sagra rising to the north. The rock shelter called Letreros de los Mártires lies in this country, a dozen or so kilometres from the town.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Letreros de los mártires comes up about 60 km into the recorded legs. Next is Zona 1.
3. Zona 1
Nerpio is about as far from anywhere as you can get in mainland Spain. The village lies in the southwestern corner of Albacete province, close to the borders of Murcia, Granada and Jaén, in a high, wild landscape of limestone ridges, pine forest and deep river valleys. The area is known for two things: walnuts, which grow in huge old trees along the Taibilla river and are celebrated in local cooking, and one of the densest concentrations of prehistoric rock art in the Iberian Peninsula, part of the UNESCO-listed rock art of the Mediterranean Basin. The generic label Zona 1 points at the hills near the village, where rock shelters with painted figures are scattered across the cliffs.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 110 km into the recorded legs you reach Zona 1. Next is Las Covachicas.
4. Las Covachicas
The Sierra del Segura, in the far south of Albacete province, is a world of its own: deep valleys, rivers lined with poplars, terraces of olive and almond trees, and white villages that look more Andalusian than Castilian. Letur is one of the most beautiful, a village of Moorish origin built on a rock above a stream, with narrow alleys, arches and gardens watered by old irrigation channels. Las Covachicas, a group of shelters, lies in the hills nearby, between Letur, Socovos and Férez.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Las Covachicas, about halfway. Next is Cueva del Niño.
5. Cueva del Niño
Ayna is a village of white houses clinging to the walls of a deep gorge carved by the Mundo river, in the Sierra de Alcaraz in the southwest of Albacete province. Its setting is so dramatic that it is sometimes called the Little Switzerland of La Mancha, and it was the backdrop for the cult Spanish film Amanece, que no es poco, a surreal comedy shot here in the late 1980s. A few kilometres away, in a rocky ravine, the Cueva del Niño holds something rare for this part of Spain: Palaeolithic paintings of deer, ibex and horses, much older than the Levantine figures painted later on the same walls. It is part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula, and access is restricted to protect the paintings.