El Pindal and Basilica of San Julián de los Prados
Plan this ride
Recorded distance
335 km
Riding-time estimate
4 h 52
Journey
Recorded itinerary
Distance and timing basis
Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
From San Vicente de la Barquera it runs 335 km to San Vicente de la Barquera; allow about 4 h 52 of riding. It goes by way of Covaciella, Eglise San Salvador, Basilica of San Julián de los Prados and back through Eglise San Salvador. The stored terrain estimate reaches about 1,100 m; a measured road-elevation profile is not available. The line favours views over speed.
Scenic road chapters
Picos de Europa Loop
Expect company on a summer weekend. Early is better than fast. For about 46 km this is Picos de Europa Loop, a road with a name of its own and a reason for it.
Chapter facts
Length
46 km
Named road
Picos de Europa Loop
Waypoint introductions and full write-ups
1. El Pindal
On the coast of eastern Asturias, near the village of Pimiango, a cave opens in the cliffs above the sea, and inside, Palaeolithic artists painted and engraved animals on the walls: a mammoth, horses, a bison, a fish, and many red dots and signs. El Pindal is one of the caves included in the World Heritage listing of the Cave of Altamira and Paleolithic Cave Art of Northern Spain, and its location, with the sea pounding the rocks below and the Picos de Europa rising inland, is spectacular. Visits are limited and guided, to protect the paintings.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
El Pindal is where the day begins. Next is Covaciella.
2. Covaciella
Between the coastal town of Llanes and the high limestone walls of the Picos de Europa, a small cave near Carreña de Cabrales holds images that have been in the dark for something like fifteen thousand years. Covaciella was only found in the 1990s, and its paintings of bison, horses and deer, in black and red, are among the finest examples of Palaeolithic art in Asturias. It was added to the UNESCO listing of the Cave of Altamira and Paleolithic Cave Art of Northern Spain in 2008. The cave is closed to the public to protect the paintings, but the nearby interpretation centre explains what is inside and why it matters.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Covaciella comes up about 46 km into the recorded legs. Next is Eglise San Salvador.
3. Eglise San Salvador
Tucked into a narrow valley a few kilometres south of Villaviciosa, the little church of San Salvador de Valdediós is one of the jewels of Asturian pre-Romanesque architecture. Locals call it El Conventín, the little convent, and it was consecrated at the end of the ninth century under King Alfonso III, during the period when the small Kingdom of Asturias was the only Christian state in Iberia not under Muslim rule. Its tall, narrow nave, round arches and delicate stone lattice windows give it a strangely intimate atmosphere.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 115 km into the recorded legs you reach Eglise San Salvador. Next is Basilica of San Julián de los Prados.
4. Basilica of San Julián de los Prados
Asturias had a king who believed in building well, and Alfonso II, known as the Chaste, is the reason the church of San Julián de los Prados exists. He made Oviedo his capital in the early ninth century, and the basilica, known locally as Santullano, was raised outside the city walls around the year 830. It is the largest church of the Asturian pre-Romanesque style, a plain, tall building of stone with a red-tiled roof, and it has one thing that makes it unique.