Cave of Altamira and Paleolithic Cave Art and Basilica of San Julián de los Prados
Plan this ride
Recorded distance
453 km
Riding-time estimate
6 h 55
Journey
Recorded itinerary
Distance and timing basis
Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
453 km from Santillana to Santillana, about 6 h 55 of riding. On the way it passes Chufín, Covaciella, Eglise San Salvador and Basilica of San Julián de los Prados. The stored terrain estimate reaches about 1,100 m; a measured road-elevation profile is not available. The line favours views over speed.
Scenic road chapters
Picos de Europa Loop
Expect company on a summer weekend. Early is better than fast. For about 47 km this is Picos de Europa Loop, a road with a name of its own and a reason for it.
Chapter facts
Length
47 km
Named road
Picos de Europa Loop
Waypoint introductions and full write-ups
1. Cave of Altamira and Paleolithic Cave Art
In 1879 a little girl lost interest in her father's digging and wandered further into a cave in Cantabria. She looked up and saw bulls on the ceiling. The father, Marcelino Sanz de Sautuola, a local landowner and amateur archaeologist, was digging in the floor of Altamira, a cave a hunter had stumbled on some years earlier. When he announced that the paintings were of the Ice Age, the experts of Europe laughed at him, and it was not until 1902, after similar paintings turned up in France, that the leading sceptic published a famous apology. Sautuola died long before that.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Cave of Altamira and Paleolithic Cave Art is where the day begins. Next is Chufín.
2. Chufín
The Nansa is one of the shortest and wildest rivers in Cantabria, running from the high mountains on the edge of the Picos de Europa to the Bay of Biscay, and halfway along its course, near the hamlet of Riclones, a cave opens in the limestone above the water. This is the Cueva de Chufín, where Palaeolithic people engraved and painted animals, signs and symbols on the walls thousands of years ago. It is one of the caves of the Cantabrian coast included in the World Heritage site of Altamira and Palaeolithic cave art of northern Spain.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Chufín comes up about 58 km into the recorded legs. Next is Covaciella.
3. Covaciella
Between the coastal town of Llanes and the high limestone walls of the Picos de Europa, a small cave near Carreña de Cabrales holds images that have been in the dark for something like fifteen thousand years. Covaciella was only found in the 1990s, and its paintings of bison, horses and deer, in black and red, are among the finest examples of Palaeolithic art in Asturias. It was added to the UNESCO listing of the Cave of Altamira and Paleolithic Cave Art of Northern Spain in 2008. The cave is closed to the public to protect the paintings, but the nearby interpretation centre explains what is inside and why it matters.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 105 km into the recorded legs you reach Covaciella. Next is Eglise San Salvador.
4. Eglise San Salvador
Tucked into a narrow valley a few kilometres south of Villaviciosa, the little church of San Salvador de Valdediós is one of the jewels of Asturian pre-Romanesque architecture. Locals call it El Conventín, the little convent, and it was consecrated at the end of the ninth century under King Alfonso III, during the period when the small Kingdom of Asturias was the only Christian state in Iberia not under Muslim rule. Its tall, narrow nave, round arches and delicate stone lattice windows give it a strangely intimate atmosphere.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Eglise San Salvador, about halfway. Next is Basilica of San Julián de los Prados.
5. Basilica of San Julián de los Prados
Asturias had a king who believed in building well, and Alfonso II, known as the Chaste, is the reason the church of San Julián de los Prados exists. He made Oviedo his capital in the early ninth century, and the basilica, known locally as Santullano, was raised outside the city walls around the year 830. It is the largest church of the Asturian pre-Romanesque style, a plain, tall building of stone with a red-tiled roof, and it has one thing that makes it unique.