Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
454 km from Reocín to Reocín, about 6 h 56 of riding. On the way it passes Chufín, Covaciella, Eglise San Salvador and Basilica of San Julián de los Prados. The stored terrain estimate reaches about 1,100 m; a measured road-elevation profile is not available. It was put together for the scenery rather than the shortest line.
Scenic road chapters
Picos de Europa Loop
Expect company on a summer weekend. Early is better than fast. For about 47 km this is Picos de Europa Loop, a road with a name of its own and a reason for it.
Chapter facts
Length
47 km
Named road
Picos de Europa Loop
Waypoint introductions and full write-ups
1. Altamira
In 1879 a nine-year-old girl named María was exploring a cave near Santillana del Mar with her father, Marcelino Sanz de Sautuola, an amateur archaeologist. While he dug in the floor, she looked up at the ceiling and saw painted animals. The bison of Altamira, painted in red and black on the uneven rock so that their bodies seem to swell and move in the flickering light, are among the greatest works of prehistoric art in the world. When Sautuola published his discovery, most experts refused to believe that cavemen could have produced such sophisticated paintings, and he was accused of fraud. He died before he was vindicated; only after similar paintings were found in France did the leading sceptic, Émile Cartailhac, publish a famous apology. Altamira was listed by UNESCO in 1985.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Altamira is where the day begins. Next is Chufín.
2. Chufín
The Nansa is one of the shortest and wildest rivers in Cantabria, running from the high mountains on the edge of the Picos de Europa to the Bay of Biscay, and halfway along its course, near the hamlet of Riclones, a cave opens in the limestone above the water. This is the Cueva de Chufín, where Palaeolithic people engraved and painted animals, signs and symbols on the walls thousands of years ago. It is one of the caves of the Cantabrian coast included in the World Heritage site of Altamira and Palaeolithic cave art of northern Spain.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Chufín comes up about 58 km into the recorded legs. Next is Covaciella.
3. Covaciella
Between the coastal town of Llanes and the high limestone walls of the Picos de Europa, a small cave near Carreña de Cabrales holds images that have been in the dark for something like fifteen thousand years. Covaciella was only found in the 1990s, and its paintings of bison, horses and deer, in black and red, are among the finest examples of Palaeolithic art in Asturias. It was added to the UNESCO listing of the Cave of Altamira and Paleolithic Cave Art of Northern Spain in 2008. The cave is closed to the public to protect the paintings, but the nearby interpretation centre explains what is inside and why it matters.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 105 km into the recorded legs you reach Covaciella. Next is Eglise San Salvador.
4. Eglise San Salvador
Tucked into a narrow valley a few kilometres south of Villaviciosa, the little church of San Salvador de Valdediós is one of the jewels of Asturian pre-Romanesque architecture. Locals call it El Conventín, the little convent, and it was consecrated at the end of the ninth century under King Alfonso III, during the period when the small Kingdom of Asturias was the only Christian state in Iberia not under Muslim rule. Its tall, narrow nave, round arches and delicate stone lattice windows give it a strangely intimate atmosphere.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Eglise San Salvador, about halfway. Next is Basilica of San Julián de los Prados.
5. Basilica of San Julián de los Prados
Asturias had a king who believed in building well, and Alfonso II, known as the Chaste, is the reason the church of San Julián de los Prados exists. He made Oviedo his capital in the early ninth century, and the basilica, known locally as Santullano, was raised outside the city walls around the year 830. It is the largest church of the Asturian pre-Romanesque style, a plain, tall building of stone with a red-tiled roof, and it has one thing that makes it unique.