Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: planning record, not independently verified geometry.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distances and riding times are planning figures. Check local closures and conditions before you ride.
345 km from Fuentespalda to Fuentespalda, about 5 h 56 of riding. The stops in between: Prop de la Cova Pintada, Roca dels moros and back through Prop de la Cova Pintada. It was put together for the scenery rather than the shortest line.
Waypoint introductions and full write-ups
1. Valmayor V
The Matarraña, in the far east of Teruel province, is often called the Tuscany of Aragon, and for once the comparison holds. Stone villages crown hilltops above olive groves and vineyards, rivers run clear through limestone gorges, and the light in the evening is honey-coloured. Valmayor is a ravine in the hills here, between Valderrobres, Fuentespalda and the Catalan border, and its shelters hold prehistoric paintings, part of the UNESCO-listed Rock Art of the Mediterranean Basin. As elsewhere, they are protected, and visits are best arranged through local tourist offices.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Valmayor V is where the day begins. Next is Prop de la Cova Pintada.
2. Prop de la Cova Pintada
The Ports massif rises abruptly at the meeting point of Catalonia, Aragón and Valencia, a tangle of limestone peaks, deep gorges and pine forest that feels surprisingly wild given how close it is to the Ebro delta and the coast. Prop de la Cova Pintada, meaning near the painted cave, sits on its southern side, between Mas de Barberans, Valderrobres and the old city of Tortosa.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Prop de la Cova Pintada comes up about 83 km into the recorded legs. Next is Roca dels moros.
3. Roca dels moros
In 1903, a young man from Calaceite named Juan Cabré, who would go on to become one of Spain's pioneering archaeologists, found painted figures of deer and other animals in a rock shelter in the Calapatá ravine, between Calaceite and Cretas. The Roca dels Moros became one of the first sites of Levantine rock art identified in Spain, and it helped open up a whole new field of study. Today it is part of the UNESCO listing of rock art of the Mediterranean Basin, and a visit here is a small pilgrimage to the beginnings of that story.