Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
503 km from Vélez-Blanco to Vélez-Blanco, about 9 h 42 of riding. The stops in between: Abrigo de la fuente, Andragulla I, Cueva del Gitano and Cueva del Niño. The stored terrain estimate reaches about 1,400 m; a measured road-elevation profile is not available. It was put together for the scenery rather than the shortest line.
Waypoint introductions and full write-ups
1. Tejera
A tejera is a tile works, a kiln where roof tiles were baked from local clay, and the name is common across the dry south-east of Spain. The Tejera on your map is near Vélez-Blanco, about two kilometres from the village, in the country that falls away from the Sierra María towards the plain, where red soil, almond terraces and clumps of pine and juniper make up the view.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Tejera is where the day begins. Next is Abrigo de la fuente.
2. Abrigo de la fuente
Nerpio is about as remote as it gets in southern Spain: a village in the far south-west corner of Albacete province, deep in the Sierra del Segura, close to the borders of Andalucía and Murcia. It sits in the valley of the Taibilla river, surrounded by mountains, with terraced fields, walnut trees and pine forests on the slopes. The Abrigo de la Fuente, the shelter of the spring, lies in the hills about eleven kilometres from the village.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Abrigo de la fuente comes up about 65 km into the recorded legs. Next is Andragulla I.
3. Andragulla I
In the far north-west corner of the Region of Murcia, where the land climbs towards the mountains of Albacete and Jaén, lies Moratalla, a town of whitewashed houses piled up a hillside beneath a castle tower. Its countryside is surprisingly wild for Murcia: pine forests, rivers, gorges and limestone ridges, some of the greenest land in a famously dry region. The rock shelter of Andragulla is one of many painted overhangs scattered through these hills, part of the Levantine rock art sites inscribed together by UNESCO. Many are protected behind fences and need a guide; the tourist office in Moratalla can advise.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 126 km into the recorded legs you reach Andragulla I. Next is Cueva del Gitano.
4. Cueva del Gitano
Some places are remote on the map and remote in the gut, and the country around the Cueva del Gitano is both. It lies in the Sierra de Segura on the southern fringe of Albacete province, in the municipality of Nerpio, where the mountains of Albacete, Murcia, Jaén and Granada all run into one another. This is one of the richest areas for prehistoric rock art in Spain, with dozens of painted shelters along the valley of the Taibilla river and its side ravines, and the Cueva del Gitano is one of the smaller sites in that dense cluster. The art is faint, the walk can be rough, and the setting does most of the talking.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Cueva del Gitano, about halfway. Next is Cueva del Niño.
5. Cueva del Niño
Ayna is a village of white houses clinging to the walls of a deep gorge carved by the Mundo river, in the Sierra de Alcaraz in the southwest of Albacete province. Its setting is so dramatic that it is sometimes called the Little Switzerland of La Mancha, and it was the backdrop for the cult Spanish film Amanece, que no es poco, a surreal comedy shot here in the late 1980s. A few kilometres away, in a rocky ravine, the Cueva del Niño holds something rare for this part of Spain: Palaeolithic paintings of deer, ibex and horses, much older than the Levantine figures painted later on the same walls. It is part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula, and access is restricted to protect the paintings.