Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
300 km from Nerpio to Nerpio, about 5 h 34 of riding. The stops in between: Cueva del Niño, Cavidad II and back through Cueva del Niño. The stored terrain estimate reaches about 1,400 m; a measured road-elevation profile is not available. The line favours views over speed.
Waypoint introductions and full write-ups
1. Prado del Tornero II
Forget the idea of a single village, because Nerpio is a municipality of scattered hamlets, farms and fields across a basin of the Sierra del Segura, and the shelters of Prado del Tornero are right at its edge. Prado del Tornero II, six hundred metres from the village, is the second of its group and belongs to the unusual concentration of rock paintings that makes the Nerpio district one of the great sites of Spanish prehistory, covered by UNESCO's 1998 listing. You can walk to it from the village in a few minutes, which makes it ideal for a short stop between legs of a long ride.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Prado del Tornero II is where the day begins. Next is Cueva del Niño.
2. Cueva del Niño
Ayna is a village of white houses clinging to the walls of a deep gorge carved by the Mundo river, in the Sierra de Alcaraz in the southwest of Albacete province. Its setting is so dramatic that it is sometimes called the Little Switzerland of La Mancha, and it was the backdrop for the cult Spanish film Amanece, que no es poco, a surreal comedy shot here in the late 1980s. A few kilometres away, in a rocky ravine, the Cueva del Niño holds something rare for this part of Spain: Palaeolithic paintings of deer, ibex and horses, much older than the Levantine figures painted later on the same walls. It is part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula, and access is restricted to protect the paintings.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Cueva del Niño comes up about 84 km into the recorded legs. Next is Cavidad II.
3. Cavidad II
South of Hellín the land opens into the dry, high steppe of southern Albacete, a country of esparto grass, almond terraces and bare limestone ridges, and it is in these ridges that the small painted cavities of the area hide. Cavidad II is one of them, a modest hollow in the rock with prehistoric pigment on its walls, part of a dense scatter of rock art sites around the Minateda area that archaeologists have studied for more than a century. Like most of the Levantine sites it is fragile and frequently protected by a grille, so it rewards patience and imagination more than a quick photograph.