Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
From Morella it runs 560 km to Morella; allow about 9 h 42 of riding. The stops in between: Centelles- Abric I, Barranco de Gibert II, Castell de Villafamés and Peñón de Santo Espíritu. The stored terrain estimate reaches about 1,400 m; a measured road-elevation profile is not available. It was put together for the scenery rather than the shortest line.
Waypoint introductions and full write-ups
1. Coveta de la Cornisa
Morella is one of the most dramatic towns in Spain: a walled medieval city wrapped around a conical hill, with a castle on the summit and its walls running unbroken around the base. It stands in the mountains of the Ports in the north of Castellón province, at around a thousand metres, and its silhouette, seen from the roads that climb toward it, is unforgettable. The Coveta de la Cornisa, the little cave of the ledge, lies in the hills about four kilometres away.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Coveta de la Cornisa is where the day begins. Next is Centelles- Abric I.
2. Centelles- Abric I
Albocàsser and Catí are two quiet stone towns in the inland hills of Castellón, and between them, in a rocky ravine, the Centelles shelters hold some of the prehistoric paintings that make this corner of Spain a capital of Levantine rock art. The style is distinctive: small human figures, often archers, painted in red with long legs and dynamic poses, hunting deer, ibex and boar, sometimes in groups, sometimes in battle. The sites are part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula. Nearby, the Valltorta gorge, near Tírig, holds some of the most famous examples, and its museum explains the art and the people who made it.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Centelles- Abric I comes up about 44 km into the recorded legs. Next is Barranco de Gibert II.
3. Barranco de Gibert II
Up on the roof of the Maestrazgo, where Teruel and Castellón meet, the land rises above fourteen hundred metres into a bleak, beautiful plateau of pasture, pine and limestone. Mosqueruela, on the Aragonese side, is one of the highest villages in the area, and Vilafranca, on the Valencian side, sits in a valley below. The Barranco de Gibert cuts into the hills between them, close also to La Iglesuela del Cid, and its second shelter holds prehistoric paintings.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 104 km into the recorded legs you reach Barranco de Gibert II. Next is Castell de Villafamés.
4. Castell de Villafamés
Villafamés announces itself from a long way off: a village of white and ochre houses stacked up a hill of reddish rock, with the remains of a castle crowning the top. It stands a little inland from the coast of Castellón, roughly between Borriol, Cabanes and the beach town of Benicàssim, close enough to the sea that you can smell salt on a westerly breeze turning, yet already in that rumpled hill country that leads up into the Maestrat.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Castell de Villafamés, about halfway. Next is Peñón de Santo Espíritu.
5. Peñón de Santo Espíritu
Behind the orange groves of the Camp de Morvedre, a few kilometres inland from Sagunto, the land rises into the Sierra Calderona, a low range of pine woods, scrub and red sandstone that separates the coastal plain from the dry interior. The Peñón de Santo Espíritu is a rocky outcrop in these hills above the village of Gilet, and it carries prehistoric rock art in the Levantine tradition, the style of painted hunters, animals and human figures found in shelters along the Mediterranean side of Spain and listed by UNESCO as the Rock Art of the Mediterranean Basin on the Iberian Peninsula. The paintings are fragile and often protected, so do not expect to wander up and touch anything.