Ordered leg totals agree within rounding. Stop distances are approximate sums of rounded legs. Stops, delays, approach and any separate return travel add time. Basis: producer-declared routed record.
Reading history stays on this device. My road watch requires a separate selection; opening it does not subscribe this ride.
Distance and riding time are measured on the routed road. Check local closures and conditions before you ride.
A 299 km round trip from Alpera - roughly 8 h 33 in the saddle. It goes by way of Barranco del Cabezo del moro, Abric Pedro más, Olula and Cantos de la Visera I. The stored terrain estimate reaches about 850 m; a measured road-elevation profile is not available.
Waypoint introductions and full write-ups
1. Abrigo II
Alpera is a small town on the plateau between Albacete and the Valencian coast, in the flat, windy country where La Mancha begins to tilt towards the sea. It is best known among archaeologists for Cueva de la Vieja, a shelter with one of the largest collections of Levantine paintings in the interior, and Abrigo II is part of the same group. The cluster of figures includes human forms, animals and symbols, painted in red and black, and the whole group is part of the UNESCO listing for the Mediterranean basin.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Abrigo II is where the day begins. Next is Barranco del Cabezo del moro.
2. Barranco del Cabezo del moro
Almansa is one of those towns you see from the motorway and do not stop at, and that is a mistake. Its castle is spectacular, a Gothic fortress built on a sharp limestone outcrop right in the middle of town, looking exactly like a child's drawing of a castle. Around it spreads a wide plain at about seven hundred metres, the meeting point of the Valencian, Murcian and Castilian lands, and a few kilometres out in the surrounding hills lies the ravine known as the Barranco del Cabezo del Moro.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Barranco del Cabezo del moro comes up about 45 km into the recorded legs. Next is Abric Pedro más.
3. Abric Pedro más
Almansa announces itself from far away: a castle perched on a limestone crag right in the middle of the town, its walls and towers silhouetted against the sky. The town sits at the eastern edge of La Mancha, where the high plateau meets the mountains of Valencia, and it was here, in April 1707, that one of the decisive battles of the War of the Spanish Succession was fought, when the Bourbon army defeated an allied force and secured the throne of Spain for Philip V. A monument on the battlefield and a museum in town tell the story. In the hills to the north, near Alpera, the Abric Pedro Mas holds prehistoric paintings, part of the UNESCO listing of Rock Art of the Mediterranean Basin on the Iberian Peninsula. Nearby, the Cueva de la Vieja is one of the best-known Levantine sites, with archers, deer and goats.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
about 73 km into the recorded legs you reach Abric Pedro más. Next is Olula.
4. Olula
Caudete and Almansa sit in a corridor of land where Castile-La Mancha, Valencia and Murcia meet, and for centuries this was frontier country, where kingdoms and armies passed and fought. Olula is a point in the hills near Caudete, linked on the rides with rock-art shelters in the surrounding sierras, part of the extensive UNESCO listing of prehistoric art in Mediterranean Spain.
May refer to an earlier itinerary; verify against your selected route before riding.
Planning note
Olula, about halfway. Next is Cantos de la Visera I.
5. Cantos de la Visera I
Monte Arabí rises from the high plain north of Yecla like a ship run aground, a lonely mass of sandstone with flat top and fluted sides, and locals have told stories about it for centuries: Moorish treasure, enchanted caves, a hidden city. The real treasure is painted. The Cantos de la Visera shelters on its slopes hold prehistoric rock art, including Levantine figures of animals and schematic signs, and they belong to the great series of Mediterranean rock art sites listed by UNESCO. There are also strange carved holes and basins in the rock, whose purpose is still debated.